# Example experiment from Finney (1999), "Disruptive effects of delayed
# auditory feedback on motor sequencing". This is a continuation paradigm
# with a patterned 4-2 pacing tone. MIDI channel 1 is a pure tone, MIDI
# channel 2 is white noise. 

# This example "simulates" feedback (i.e., the same pitch is used as
# in the other finn_99 examples), but the tones are actually fixed 
# regardless of the subject's taps. In this case, it's a 4-2 pattern
# which is phase shifted one time unit. Note that a typical subject
# response (particularly if they've already done some synchronous feedback
# trials) is to catch up with the fixed pattern without even noticing
# that the sounds are not contingent on their taps!

FEED_ON			0
FEED_CHAN		1
FEED_NOTE		76
FEED_VMODE		1
FEED_VEL		90
FEED_LEN		100
FEED_PMODE		1
FEED_DMODE		1
FEED_DVAL		100

MASK_ON			0
MASK_CHAN		2
MASK_NOTE		64
MASK_VEL		35

METRON_ON		1
MSPB			250
MET_CHAN		1
MET_NOTE		86
MET_VEL			100
MET_LEN			30
MET_PATTERN_ARRAY	8 1 1 1 1 0 1 1 0


CLICK1_FILE		genclick/click_250.42
CLICK1_OFFSET		8250

TRIGGER 2 M  32 METRON_ON 0
TRIGGER 3 M  92 END_EXP 0
